Abstract
This article analyzes relations of displacement, musical contributions, exchange, and social and musical coexistence applied to Mexican musicians and their contact with African Americans that led to the introduction and spread of jazz throughout Mexico. Its perspective is that of cultural dynamics, in which the
transformation of culture is permanent. It focuses on the first third of the twentieth
century, a period in which interpreters from Mexico integrated into Mexican society after a stay in New Orleans, and in which interchanges between the two
countries deepened.
Keywords: jazz, foxtrot, Mexican musicians, African American musicians
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